In The SwimWe used a retro collage style to create this fashion story featuring women’s sandals. The style of the images themselves owe a debt of gratitude to the great art director Bea Feitler. The story was photographed by Trevett McCandliss. We created, wavy, refracted, psychedelic typography to created a watery, floaty feeling.
In The SwimWe used a retro collage style to create this fashion story featuring women’s sandals. The style of the images themselves owe a debt of gratitude to the great art director Bea Feitler. The story was photographed by Trevett McCandliss. We created, wavy, refracted, psychedelic typography to created a watery, floaty feeling.
In The SwimWe used a retro collage style to create this fashion story featuring women’s sandals. The style of the images themselves owe a debt of gratitude to the great art director Bea Feitler. The story was photographed by Trevett McCandliss. We created, wavy, refracted, psychedelic typography to created a watery, floaty feeling.
European UnionThis is a children’s fashion story shot by Zoe Adlersberg and styled by Mariah Walker. The type is customized.
European UnionThis is a children’s fashion story shot by Zoe Adlersberg and styled by Mariah Walker. The type is customized.
La La LandThis is a children’s fashion story shot by Franck Malthiery and styled by Mariah Walker. We used a modern, minimalist style for our graphic design and typography.
La La LandThis goth, romantic fashion story was shot by Bill Phelps and styled by Barbara Ries. We mixed black letter typography with ornaments, glyphic and uncial type to create this modern goth look.
Heeling PowersThis goth, romantic fashion story was shot by Bill Phelps and styled by Barbara Ries. We mixed black letter typography with ornaments, glyphic and uncial type to create this modern goth look.
Heeling PowersThis goth, romantic fashion story was shot by Bill Phelps and styled by Barbara Ries. We mixed black letter typography with ornaments, glyphic and uncial type to create this modern goth look.
Party GirlThis is a children’s fashion story shot by Christophe Kutner and styled by Edda Gudmundsdottir We used hand lettering for this piece.
Party GirlThis is a children’s fashion story shot by Christophe Kutner and styled by Edda Gudmundsdottir We used hand lettering for this piece.
Black BirdMagazine design, conceptual typography, minimalism, fashion photography.
Black BirdMagazine design, conceptual typography, minimalism, fashion photography.
Estate PiecesThis story was shot on polaroid film with a vintage camera by Aneta Bartos. Ross McDonald from Brightworks Press lent us vintage woodtype which we photographed for our type opener.
Estate PiecesThis story was shot on polaroid film with a vintage camera by Aneta Bartos. Ross McDonald from Brightworks Press lent us vintage woodtype which we photographed for our type opener.
In Living ColorFrancis Tulk-Hart shot this beautiful children’s fashion story for Earnshaw’s magazine. Michel Onofrio did the styling. We created colorful hand-drawn type for the opener. This piece won design awards from The Society of Publication Designers and Graphis.
In Living ColorFrancis Tulk-Hart shot this beautiful children’s fashion story for Earnshaw’s magazine. Michel Onofrio did the styling. We created colorful hand-drawn type for the opener. This piece won design awards from The Society of Publication Designers and Graphis.
In Goth We TrustThis women’s fashion story features the dark side of spring. Photography by Jamie Isaia. We made this goth typography out of metal objects and vintage type.
In Goth We TrustThis women’s fashion story features the dark side of spring. Photography by Jamie Isaia. We made this goth typography out of metal objects and vintage type.
Bow WowThis fashion story featured adorable dogs. It was shot by Michael Brian in California. We used a beautiful, elegant font called Mommie for the opener. It is a cross between a Spencerian and fat bottomed script. We like to think of it as hippie, retro Spencerian.
Bow WowThis fashion story featured adorable dogs. It was shot by Michael Brian in California. We used a beautiful, elegant font called Mommie for the opener. It is a cross between a Spencerian and fat bottomed script. We like to think of it as hippie, retro Spencerian.